A7 Chord
The A7 chord contains A, C sharp, E, G, played together. It is a major triad with a minor seventh added: the symbol has a plain 7, not maj7. Hear it on its own, then play D major to hear one common way it resolves.
- Notes: A-C sharp-E-G
- Formula: 1-3-5-flat 7
- V7 in D major
What notes are in A7?
Start with A major: A, C sharp, E. Add G, a minor seventh above the root. The complete spelling is A-C sharp-E-G. Counting upward from the root gives 1-3-5-flat 7. The flat in the formula describes a seventh lowered from the major scale; it does not mean that the written note must always have a flat sign.
The C sharp is the note that separates this chord from Am7. Find it on the black key just above C, then keep the other three notes in place.
Where are its inversions on the piano?
Play the four notes together, then move only the lowest note up an octave each time:
- Root position: A-C sharp-E-G, with A lowest.
- First inversion: C sharp-E-G-A, with C sharp lowest.
- Second inversion: E-G-A-C sharp, with E lowest.
- Third inversion: G-A-C sharp-E, with G lowest.
Each version still contains the same four pitch classes. The bass position changes, so the chord may feel lighter or heavier even though its name stays A7. A slash symbol specifies the actual bass note in an arrangement; Chord Inversions explains the distinction.
Why does A7 lead to D?
In D major, A7 is the V7 chord. Its third, C sharp, can rise a half step to D; its seventh, G, can fall a half step to F sharp. Try playing just those two notes, then the two destination notes, before adding the other chord tones. You can hear the small voice movements more clearly than when you move two full chords at once.
That is a common resolution, not a rule for every use of A7. A dominant-seventh chord may also appear in blues or lead temporarily to another chord. Dominant Seventh Chord explains why the chord name and its harmonic job are related but not identical.
How is A7 different from Amaj7?
Keep A, C sharp, E and raise only G by one semitone to hear Amaj7. The triad remains major, but the top interval changes. Alternate the two at the same volume, then return to A7 and resolve it to D major. That three-part comparison makes the extra pull of the minor seventh easier to recognize than a sound adjective alone. See Amaj7 Chord for the other spelling and its own inversions.
Try it without looking
Find the root, build a major triad, and add a note a whole step below the next octave of the root. Play A7, sing its seventh, and move that sung note down to F sharp. Then play the full D major chord. Repeat from the first inversion until you can still hear the resolution with a different note at the bottom.